Music

Mark’s music moves fluidly between contemporary classical writing, electronics, and interactive media. By joining acoustic performance with digital elements, he builds spaces that reflect on perception, identity, and the ways technology redirects our attention. A contemporary classical language remains the starting point, but the path often leads elsewhere, led by a steady curiosity about how listening shapes interpretation and how sound can subtly reorganize the way we understand ourselves and the world.

Listen

Now playing

Fugue (from it comes to tell us it is gone)

String Quartet

Selected Compositions

  • The Shape Memory MakesViolin and real-time electronics
  • The Hollow LightAudiovisual composition
  • BrumeOboe and real-time electronics
  • Babble and BendGlissotar (for Dániel Váczi)
  • The Constancy UndoneWoodwind Quintet (for the Englewinds Ensemble)
  • Glass TangoString Quartet
  • Moving Parts (CC Mix)Electric Violin and Electronics
  • Mondrian SlipViola
  • The Persistent Whispers of Unfinished DestiniesThree Violins
  • Brelanflute, viola, cello
  • Gene MutationViolin
  • Anglesmarimba/vibraphone, piano
  • The UnfoldingString Quartet
  • Four Postcardsmixed choir and orchestra (based on poems by Eugene Field)
  • vagabondagetwo violins (for Miolina)
  • be still, and wait without hopepiano, electroacoustic music, computer-mediated video
  • Masksviolin, electroacoustic music (KYMA system), computer-mediated video
  • no one can hear you dreamvoice, violin, electroacoustic music and computer-mediated video
  • canzona quello non è làelectroacoustic music
  • reFRACTionviolin and live electronics
  • it comes to tell us it is gonestring quartet